What was it like, collaborating with director Christian Petzold for a third time?
Paula Beer: Well, working with Christian is just fun. And his way of working is different from everything I’ve experienced so far.

What was it like, collaborating with director Christian Petzold for a third time?
Paula Beer: Well, working with Christian is just fun. And his way of working is different from everything I’ve experienced so far.
Period pieces are notoriously cumbersome and expensive to make. Did you find that to be the case?
Thaddeus O’Sullivan: The biggest challenge in this context was really the whole Lourdes issue.
When did you first start noticing a disconnect between Yogi Berra’s reputation and the player the stats showed him to be?
Sean Mullin: I think that’s what this was all about. When I started doing the research, I was like, wait, this guy was criminally overlooked.
I want to start out by talking about how you got the idea to do this. How do you collaborate to come up with this incredible work that we just saw?
Meredith Bragg: We’re not entirely sure where we first learned that pinball was illegal in many cities…
I’d love to hear how you developed the script.
Andrea Pallaoro: Well, it’s a film that I had envisioned as part of a much larger exploration on the traumas and the dynamics of what it means to feel abandoned and the consequences of that.