Blue Heron – Q&A with Sophy Romvari

I never thought about a Hungarian population in Canada. One of the themes running through this film for me was isolation. You shot Jeremy in isolation a lot, but he’s not the only one.
SR: I try to do as much as I can visually without having it be in the dialogue or without it being explicit and trusting that the audience will pick up on the nuances of the visual language. A big part of that was shooting on Vancouver Island.

The Python Hunt – Q&A with Xander Robin

I heard you entered the Python Challenge a year before shooting. What did you learn from that experience?
Xander Robin: Thanks for watching the movie! I actually live in South Florida right now. I grew up there, lived in New York for a little bit, but I was trying to make a movie in South Florida.

Mad Bills to Pay – Q&A with Joel Alfonso Vargas

The following questions and answers are excerpted from a conversation that followed the NBR screening of Mad Bills to Pay. What was the genesis of this film and how did it become a feature?Joel Alfonso Vargas: It kind of happened during lockdown. I had some projects that I was trying to set up just before that […]

Two Prosecutors – Q&A with Sergey Loznitsa

I understand this film is based on a story that really resonated with you?
Sergey Loznitsa: The film is based on a story by Georgy Demidov, who was arrested in 1938 and spent nearly fourteen years in prison camps.

The Bride! – Q&A with Maggie Gyllenhall

That dance number was incredible! What was it like to direct a big dance number?
Maggie Gyllenhaal: That dance number was a very specific tightrope walk. The way we shot it and the way we choreographed it took a lot of care, forethought, and then a lot of work.