Skincare – Q&A with Austin Peters

Can you talk about the decision to set the film in 2013, and why that specific year was the right choice for this story?
Austin Peters: If you think about where we, as a country, were at in 2013… It was such a different time.

Good One – Q&A with India Donaldson and Lily Collias

We’d been trying to cast Sam for months. And we were having a really hard time. My younger sister was, at the time, an eighteen-year-old senior in high school. Almost as a joke, I asked her, do you know any actors? Like, help me out here! And that was how I found Lily. I still can’t believe that’s our story.

Kneecap – Q&A with Rich Peppiatt, Móglaí Bap, Mo Chara, and DJ Próvaí

The tone that you set from the very beginning lets the audience know that they’re going to see something that’s serious, but you’re not going to weigh them down with it, and I appreciate that so much about this film.
Rich Peppiatt: Yeah, that was something that was important to us, to make sure it was entertaining. And there’s been so many films about Belfast which can stray sometimes into a turgidly serious tone.

Sing Sing – Q&A with Colman Domingo and Clarence “Divine Eye” Maclin

Can you tell us how you first learned about the Rehabilitation Through the Arts program?
Clarence “Divine Eye” Maclin: One night, I was going into the yard, but it got closed down, so everybody got directed to the theater. And while I was in the theater, there was a play going on—One Flew Over the Cuckoo’s Nest, I believe, with my brother Dino Johnson. I got to witness these brothers doing some creative work that I didn’t expect, because I know them from the yard. I’ve seen them in the yard, I’ve seen them in the gym, I’ve seen them everywhere. But when I see them up on stage, the camaraderie that they had with each other was a beautiful thing to witness and I wanted to be a part of that