Sing Sing – Q&A with Colman Domingo and Clarence “Divine Eye” Maclin

Can you tell us how you first learned about the Rehabilitation Through the Arts program?
Clarence “Divine Eye” Maclin: One night, I was going into the yard, but it got closed down, so everybody got directed to the theater. And while I was in the theater, there was a play going on—One Flew Over the Cuckoo’s Nest, I believe, with my brother Dino Johnson. I got to witness these brothers doing some creative work that I didn’t expect, because I know them from the yard. I’ve seen them in the yard, I’ve seen them in the gym, I’ve seen them everywhere. But when I see them up on stage, the camaraderie that they had with each other was a beautiful thing to witness and I wanted to be a part of that

The Dead Don't Hurt – Q&A with Viggo Mortensen and Vicky Krieps

What was the process of getting in sync with each other? Was there a lot of workshopping or did you wait until the outset to really work out the scenes?
Viggo Mortensen: I don’t think we workshopped anything. When Vicky was doing something that worked really well, I didn’t say much of anything. But when I had a different thought or wanted to try something different, I would say something. But mostly, I thought she always understood the character really well, which was great.