This is a wonderfully imaginative film that has so much to say. Can you talk about your adaptation process?
Bong Joon Ho: So I first read a ten page treatment of the novel, and I was just immediately fascinated by the concept of human printing.
This is a wonderfully imaginative film that has so much to say. Can you talk about your adaptation process?
Bong Joon Ho: So I first read a ten page treatment of the novel, and I was just immediately fascinated by the concept of human printing.
Anora is such an intense and ferocious character, but there’s an understated vulnerability. How did you weave that into the performance?
Mikey Madison: I always saw her as someone who was deeply vulnerable on the inside but is constantly protecting herself by covering it up with anger and spunk.
Jesse, what inspired this story? I understand it was a long road for you, between the initial idea and getting it up on the screen.
Jesse Eisenberg: Yeah, I’d been, like, sitting with the seeds of this movie for twenty years.
A lot of people have talked about the content of this film being edgy and subversive, but it’s actually a pretty sweet story about self-acceptance. Can you talk diving into that idea?
Halina Reijn: For me, that’s core of the film. There was a question that I wanted to ask myself. Is it possible to love all the different parts of yourself?
Lee feels like he’s vibrating with how nervous he is. He has this energy that makes you feel like you could touch him and feel static. Was that exhausting to play?
Daniel Craig: If it was, I don’t remember.