Search Results for: Once Upon a Time%E2%80%A6in Hollywood

July 2016

Q&A with Matt Ross and Viggo Mortensen

There was such incredible chemistry amongst the cast. How did you build that? What was the rehearsal process?
Viggo Mortensen: Early on, which was great and doesn’t always happen, Matt brought me into read with the last couple of kids we were casting.

October 2019

Q&A with Martin Scorsese, Robert De Niro, and Al Pacino

This film has a different editorial pace and perspective than you usually portray in your films. Would you be able to talk about your approach with these older men in the film?
Martin Scorsese: This is not a film we could have created or made as effectively if we had tried to make it ten years ago.

January 2024

Q&A with Martin Scorsese

There’s a lot of complexity there. Did you really see it as love story? I kept questioning whether he loved her.
Absolutely. And her too. How much did she know? She must have sensed something.

October 2017

Q&A with Luke Wilson, Austin Abrams, and Mike White

You’re a prolific writer, but this is only your second time directing a feature. What motivates you to direct one of your own pieces?
Mike White: I knew the tone was going to be particular, so it was just going to be hard to help another director interpret what I intended for film to be.

August 2021

Q&A with Lucy Walker

It was fascinating to learn that you had already been in the process of making a film about wildfires when the camp and woolsey fires occurred. Can you tell us about that?
Lucy Walker: That’s right. The reason I was able to really embed, and I knew what I was looking at and could just jump in, and start asking the right questions was because I’d actually been working on the film already for about a year at that point.

Call Me by Your Name photo
December 2017

Q&A with Luca Guadagnino, Michael Stuhlbarg, and Timothée Chalamet

The final scene between the father and son is so moving and beautiful, what was it like shooting that scene and what did it mean to you?
Michael Stuhlbarg: Rarely in filmmaking does one get to shoot things in order, but in this case, I had plenty of time because we shot that at the very end of the production.

September 2019

Q&A with Lorene Scafaria

This film is very inclusive and focused on women. Were you aiming to make a film about female empowerment? What was your concept about the story, initially?
I like the idea of making something that people can take away from it whatever they want.

February 2023

Q&A with Laura Poitras

The following questions and answers are excerpted from a conversation that followed the NBR screening of All the Beauty and the Bloodshed. You really weave so many stories together so beautifully in the film. How did you and Nan weave in and out of each other’s lives? Laura Poitras: Nan and I have intersected, sometimes literally […]

July 2015

Q&A with Laura Linney and Ian McKellen

How do you approach these two very different characters who are the same person?
With excitement, because it’s a nice challenge. To play an older man, and then a younger man.

November 2019

Q&A with Laura Dern, Adam Driver, and Noah Baumbach

Can you talk about conceiving this story, and you’re writing process?
Noah Baumbach: It was inherent in the title that we are asking, “Does anyone really know what the story of a marriage is, and if that story has an end of sorts, does it mean it wasn’t a marriage?”