Q&A with John Turturro

Let’s talk about the story. What inspired this script?
I’ve always liked movies about streetwalkers. I mean, there’s been so many of them, from every culture.

Q&A with John Krasinski

How did you get on this project? How did it come to you?
John Krasinski: So I was about to start pre-production on Jack Ryan, and some of the producers on Jack Ryan were Platinum Dunes, and they said, “Would you ever act in a genre movie?” And I said, “Oh no, I can’t do that, I don’t do horror movies.”

Q&A with John Cusack and Bill Pohlad

Can you discuss casting the two versions of Brian Wilson?
Bill Pohlad: Casting the Brian-future role was a little more complicated than the Brian-past, actually.

Q&A with Joey Kuhn and Kimberly Parker

Can you talk about some of the sources of inspiration for this film?
Joey Kuhn: I’ll start with the emotional inspiration for the film: In college, I accidentally fell in love with my gay best friend, and was afraid to tell him for years.

Q&A with Jim Archer, Rupert Majendie, David Earl, and Chris Hayward

The following questions and answers are excerpted from a conversation that followed the NBR screening of Brian and Charles. This project started as a radio sketch, became a live show, and now it’s a mockumentary. I’m interested in the differences between those and what you needed to consider to make this film. Jim Archer: I didn’t […]

Q&A with Jessie Barr and Nicole Holofcener

What was it like developing the script with your cousin Jessica Barr after she had written the first draft?
Jessie Barr: We did a lot of talking and a lot of sharing; there were intimate conversations about what we’d gone through when we lost our parents.

Q&A with Jessica Kingdon

You did almost all of the work on this film— what was that experience like?
Jessica Kingdon: I did have a close cinematographer, Nathan Truesdell, and we shot it together. But, yeah, it was very much a film that was coming out of my own mind.

Q&A with Jayro Bustamante and Gustavo Matheu

Can you tell us about the evolution of this film?
Jayro Bustamante: Well, you know, at the beginning we were thinking about making a triptych, and that that triptych would be about three insults that are common in Guatemala.