How did you go about conceiving two characters who would ultimately converge?
Jason Reitman: I always thought of the movie as being like those lenticular posters, where if you look at the poster and you kind of move your head two inches, the image changes.
Can you take us through the process of making this film? There was a long period of time when you were building toward something like this.
Chloé Zhao: During my third year at NYU, I was thinking about what feature film to make. That’s when I first went out to Pine Ridge.
How did you get on this project? How did it come to you?
John Krasinski: So I was about to start pre-production on Jack Ryan, and some of the producers on Jack Ryan were Platinum Dunes, and they said, “Would you ever act in a genre movie?” And I said, “Oh no, I can’t do that, I don’t do horror movies.”
What inspired you with this film and why did you set it in the world of 1950’s London fashion?
Paul Thomas Anderson: I had a thin story for a romance about a man, woman, and maybe third party.
What was the process of making this film?
Meryl Streep: It came together very quickly because Steven Spielberg was making another film with everything ready to go in Italy, except the lead wasn’t cast yet.