Let’s start by talking about the unique backstory to making this film.
Salerno: I grew up in a house where Salinger was a church. My mom was a huge fan and turned me onto his work, but like everyone, I had no idea about the man, I just knew the work. I started researching this project and found out that J.D. Salinger landed on D-Day, that Salinger participated in these horrible battles, that he lost the love of his life, Oona O’Neill, to Charlie Chaplin.
When did Ip Man first come into your life?
Kar Wai: In 1998, I had a chance to meet with the family of the Grandmaster Ip Man. And they showed me a short film of him – which you can find on YouTube now. His son recorded it just a few days before Ip Man passed away. And you can see that it’s almost like a home movie; he’s very sick and quite thin.
You all shot for a few nights on the actual BART platform where this tragedy took place. Can you talk about that experience?
Diaz: It was one of the most intense things. You can still feel the ghosts there, the presence of the pain and violence and fear and everything that went down that night. That day was special. We started off with a prayer. It was powerful.
Why do audiences love Kirk and Spock so much? What gives their relationship such dynamism?
Pine: I think the Enterprise represents, psychologically speaking, parts of one person. I always think of the triumvirate of McCoy, Kirk and Spock as representing parts of a single human being.
Director Danny Boyle established himself as one of the most versatile filmmakers in the world long ago, finding critical and commercial success with thematically disparate stories such as Trainspotting, 28 Days Later, and Slumdog Millionaire.