This is not a typical biopic in that you mainly focus on the darkest period of his life. Why did you choose that window?
Don Cheadle: He just shut down his music for five years. I thought, what’s happening there?
Features: Q&A
March 29, 2016
The Witch – Q&A with Ralph Ineson, Anya Taylor-Joy, Robert Eggers
by The National Board of Review
There’s an incredible attention to detail throughout the film, from the dialog to the set decoration. Could you describe how you approached these aspects of the film?
Robert Eggers: New England was the most literate part of the Western World; you had to teach your children how to read– it was against the law if you didn’t, because you had to read the bible in English.
January 22, 2016
The Hateful Eight – Q&A with Quentin Tarantino, Jennifer Jason Leigh, Walton Goggins, and Kurt Russell
by The National Board of Review
The following questions and answers are excerpted from a conversation that followed the NBR screening of The Hateful Eight. Where did the idea for this film come from? Quentin Tarantino: It started because while I didn’t really want to write a sequel to Django, I did like the idea of maybe a series of paperback books like […]
January 21, 2016
The Big Short – Q&A with Steve Carell and Adam McKay
by The National Board of Review
What drew you to this story?
Adam McKay: We had done a movie with Will Ferrell and Mark Wahlberg called The Other Guys, and the goal of that movie was to do a comedic parable of the collapse.
December 4, 2015
Macbeth – Q&A with Michael Fassbender
by The National Board of Review
When an actor does Macbeth on stage, they get to experience the character straight through. How was it playing it in a film?
It’s just a normal thing, really. It’s such a rare opportunity to do something in chronological order when filming; it just never really happens.