Q&A with Denis Villeneuve

Just as in the last film, this one starts with an incredible burst of sound, accompanied by some text, that really grabs the audience and lets them know they are in for an incredible experience. Can you talk about that decision?
Denis Villeneuve: When making movies, you try to plan as much as possible in the screenwriting. Even so, there are elements that come to life as you’re shooting. And similarly, in post-production, sometimes unplanned things happen, too.

Q&A with Dawn Porter, Evan Hayes, Jayme Lemons, and Pete Souza

The following questions and answers are excerpted from a conversation that followed the NBR screening of The Way I See It. This film really seemed to hit at the perfect time. Can you talk about the genesis of the project? Jayme Lemons: My partner Laura Dern and I were big fans of Pete’s in general, having […]

Q&A with Daveed Diggs and Rafael Casal

Can you talk about the collaboration between the two of you in terms of writing, producing, and performing this?
Rafael Casal: Yeah, Diggs, can you?
Daveed Diggs: I mean we’ve been working on this for ten years at this point with our two producing partners the whole time, Jess and Keith Calder.

Q&A with Darren Aronofsky and Jennifer Lawrence

What was your script development process, and what was your reaction to it on first read?
Darren Aronofsky: All of my work outside of filmmaking is environmental work. As a parent, I’m very concerned about the future.

Q&A with Darius Marder and Riz Ahmed

Can you talk about the process developing the physical look of the character?
Riz Ahmed: Ruben is someone, like Lou, who is trying to construct his identity, as many of us do.

Q&A with Craig Roberts and Simon Farnaby

Simon, this is an incredible true story. How did you come to write the script?
Simon Farnaby: I was brought up around golf—my father was a greenskeeper at a little club in northeast England. Golf’s a game I love, but I came at it like Maurice [Flitcroft], from a lower-class angle.

Q&A with Christopher Nolan and Emma Thomas

When you’re talking with Cillian about that and how you’re going to essentially be inside of his head for a lot of the film, what do you discuss about him embodying this man?
Christopher Nolan: I think the first and most important conversation was the one where we both agreed that we were not interested in some kind of impersonation.

Q&A with Christopher McQuarrie

It’s not your first time directing a Mission: Impossible film, and you’re the first director to come back. I hear you were kind of hesitant about that. Why?
Christopher McQuarrie: I had worked on Ghost Protocol. I came in midway through and was working on that movie. I saw Brad Bird going through what could only be described as a meat grinder.

Q&A with Chris Smith

Is it correct that you had a very small crew, during production? Was that always the plan?
Chris Smith: When we first went out to Robert Downey Jr.’s house in the Hamptons, he said that we couldn’t bring a crew. Which I only found out two days beforehand.

Q&A with Chris Rock

The scene where you go to see your family is amazing. Can you talk about how that came together?
It was ninety degrees in August, in New York City, in the projects. So you can imagine… just the smell!