THE NATIONAL BOARD OF REVIEW TO ANNOUNCE HONOREES TUESDAY, JANUARY 26TH

New York, NY (September 9, 2020) – The National Board of Review announced today that it will reveal its 2020 honorees on Tuesday, January 26, 2021. Films will be eligible if screened by the NBR and released either theatrically or digitally on or before February 28, 2021. If a movie’s release is digital, it must […]

Q&A With Spike Lee

Can you talk about working with your cast?
You have to have great actors. You have to cast great people to get great performances.

Q&A with Richard Tanne

What did your writing process entail?
It kind of had the whiff of destiny, from the time I read the book.

Q&A with Kris Rey and Gillian Jacobs

The following questions and answers are excerpted from a conversation that followed the NBR screening of I Used to Go Here. What was the inspiration for the film? Kris Rey: I found the inspiration for the movie when I was on tour with my last film [Unexpected] four years ago. I got invited to a bunch […]

Q&A with Josephine Decker and Elisabeth Moss

Josephine, can you speak a bit about that rehearsal process?
When I was going into it, I thought we needed three weeks of rehearsal. Of course, we had like a day and a half!

Q&A with James Lebrecht and Nicole Newnham

How did you decide that co-directing this film was the best approach?
James Lebrecht: I’ve had the good fortune to have worked with Nicole on three of her films in the past, and we became friends over the years. I just loved her work!

Q&A with Greg Barker and Wagner Moura

There is a scene with an East Timorese woman, a non-actor named Senhorinha Gama Da Costa Lobo, that is completely amazing. Wagner, can you talk about that scene, and about casting that role?
Wagner Moura: I think that’s my favorite scene in the film. That was the most difficult casting we did.

Q&A With Fisher Stevens and Malcolm Venville

Fisher, I understand that this film had a pretty unique origin story?
Fisher Stevens: Leo [DiCaprio] called me and told me he was in Brooklyn, and that I should come meet him for lunch at the racetrack in Brooklyn. I told him there was no race track in Brooklyn!

Q&A with Eliza Hittman, Sidney Flanigan and Talia Ryder

Eliza, when did you first start to think about making this remarkable film?
Eliza Hittman: I first began thinking about this film in 2012. I read a newspaper article that was all about the death of Savita Halappanavar, this woman in Ireland who died after being denied a life-saving abortion.

Q&A with Charlie Kaufman, Jessie Buckley and Jesse Plemons

The following questions and answers are excerpted from a conversation that followed the NBR screening of I’m Thinking of Ending Things. The film adheres to the novel in some ways, and not in other ways. Charlie, when in your process do you make the decisions about where to stick to the text and where to depart? […]

Q&A with Bonni Cohen and Jon Shenk

How did you decide what to include and how to show how the puzzle pieces fit together?
That was the main question in the beginning, because it is so overwhelming. It’s likely there are at least 500 survivors of Nassar alone.

Q&A with Amy Seimetz, Kate Lyn Sheil and Jane Adams

The following questions and answers are excerpted from a conversation that followed the NBR screening of She Dies Tomorrow. Can you talk about the origin of this project? Amy Seimetz: I was dealing with a lot of anxiety and I realized that to alleviate the anxiety I was talking to my friends – namely Kate Lyn […]

Q&A with Amanda McBaine and Jesse Moss

When was it clear that there was enough here to make a compelling feature?
Amanda McBaine: I love the word clarity; it’s not something you really have until you premiere your film and you hope people respond.