Can you talk about the design of the film and how it’s another evolution for Pixar both in the extremes in realism and surrealism that it achieves?
One of the big joys for me in working in this business is to embrace stuff that is perfect for animation
The film is visually stunning. Can you talk about your approach, and how you worked with your collaborators?
Nicole Riegel: I knew the color palette I wanted to use before I began collaborating with my production designer and cinematographer.
Your films feel so naturalistic— as though you just took your crew to a location and filmed what was going on there. But the reality is quite different, isn’t it?
Chloé Zhao: Well, the trick is to make the audience feel like we just showed up.
A.V. Rockwell: I really wanted to tell a story, especially for my first film, that recognized my coming of age experience in New York City…
THE NATIONAL BOARD OF REVIEW NAMES 2019 HONOREESINCLUDINGTHE IRISHMAN FOR BEST FILM OF THE YEAR&QUENTIN TARANTINO FOR BEST DIRECTOR OF THE YEAR The Organization’s Gala will be held on Wednesday, January 8, 2020 in New York City New York, NY (December 3, 2019) – The National Board of Review today announced their 2019 honorees, with […]