Q&A with Michael Showalter and Cathy Schulman

What made Michael the perfect director for this film?
I’ve been a longtime fan of Michael’s, and as a matter of fact, early on in the process I reached out to him in hopes that he might be able to get involved from the very beginning.

Q&A with Kai Höss, Maya Lasker-Wallfisch, Wendy Robbins, and Daniela Völker

Maya, I understand that the seed of the idea for this film originated with you?
Maya Lasker-Wallfisch: Yes: I wrote a book, which was apparently interesting! And one of the things I wrote about in the book were two themes that really interested Daniela. And so Daniela and I were connected through a mutual person that we both knew.

Q&A with Joel Alfonso Vargas

The following questions and answers are excerpted from a conversation that followed the NBR screening of Mad Bills to Pay. What was the genesis of this film and how did it become a feature?Joel Alfonso Vargas: It kind of happened during lockdown. I had some projects that I was trying to set up just before that […]

Q&A with George Miller and Chris Hemsworth

Can you talk about bringing Furiosa to the screen, particularly as it relates to the previous film and the way they were, in some sense, created simultaneously?
George Miller: That’s exactly right. The movies made three decades ago really weren’t connected except for the Max character.

Q&A with Embeth Davidtz

Congratulations on this powerful and sensitive film. When did Alexandra Fuller’s book first come to your attention, and what made you want to adapt it and take on so many roles?
Embeth Davitz: I read the book when it came out in 2003, and it just stayed with me.

Q&A with Carla Simón

It’s such a beautiful film with no false notes. I wasn’t surprised to hear it was influenced by personal experience. What was it like to write this and then find someone to portray the protagonist?
Carla Simón: For me, the writing part was quite organic because I had done two previous films that already were inspired by my own story and my family. This was a bit like another chapter. It was interesting because the film was born out of my frustration of not being able to remember my parents because they died when I was a kid.