How did you find this story?
David Lowery: It was a true story about this guy whose life was too good to be true in terms of a narrative.


How did you find this story?
David Lowery: It was a true story about this guy whose life was too good to be true in terms of a narrative.

Can you discuss the process of adapting the book for the screen?
James Gray: The book is a meticulously researched thing. Immediately you realize that you’re in for it if you change something factually and of course I had to, because it’s a movie.

What drew you to this material and inspired you to direct the film?
Sian Heder: I came to this because it was originally a studio film, and Lionsgate was looking to do a remake of La famille Bélier, a French film that came out in 2014.

you take us to the beginning of this process, when you had bits and fragments of the story?
Shia LaBeouf: I was in an emotional rehab facility. It was court ordered that I go to a mental institution in Connecticut.

When did you first start noticing a disconnect between Yogi Berra’s reputation and the player the stats showed him to be?
Sean Mullin: I think that’s what this was all about. When I started doing the research, I was like, wait, this guy was criminally overlooked.

What was your experience like coming to this project?
Jason Segel: I had made a decision that I wanted to do something entirely different than what I had been doing.

Can you describe your approach to adapting the novel, and to making the story so cinematic?
Sarah Polley: I think I always thought of the story as somewhat of an epic.

Sacha, the original Borat was a tremendous success. Why did it take so long to make a sequel?
Sacha Baron Cohen: Well, we just assumed it was impossible to make.

What was it about the riverboat casinos in Iowa that compelled you to write this story?
It was really interesting to see the anti-glamorous version of a casino. There was a story in there somewhere that we hadn’t seen on film before.

What was it like bringing a production of this size to Thailand?
Ron Howard: That was the big question I was asking of myself, going into the movie. I knew there was a genuine hurdle there.

You used classic filmmaking techniques, especially in the opening scene. Can you talk about shooting it?
Scott: These storms are absolutely disgustingly filthy, and we had real fifth in the air. You have a real mix of dust.

What did your writing process entail?
It kind of had the whiff of destiny, from the time I read the book.

When did you first conceive of this film?
Rian Johnson: The idea for this film came very very early, even when we were still making the first one.

Can you talk about the research that you did, and about the consultants that you brought in to make sure you got it right? I was so impressed with how authentic this story was.
Reinaldo Marcus Green: So, I’ll start with the consultants. We had a gentleman by the name of Neville Garrick, who we represent in the film. He had done the album art work, and he also did the lighting for all of the shows.

Randall, what gripped you about this story and these characters?
Randall Park: I first read the graphic novel when it came out back in 2007, and I was just mesmerized by it. A lot of that has to do with Adrian’s writing, but also the style of the art.