Q&A with Sienna Miller and James Gray

Can you discuss the process of adapting the book for the screen?
James Gray: The book is a meticulously researched thing. Immediately you realize that you’re in for it if you change something factually and of course I had to, because it’s a movie.

Q&A with Sean Mullin

When did you first start noticing a disconnect between Yogi Berra’s reputation and the player the stats showed him to be?
Sean Mullin: I think that’s what this was all about. When I started doing the research, I was like, wait, this guy was criminally overlooked.

Q&A with Ryan Fleck, Anna Boden, and Ryan Reynolds

What was it about the riverboat casinos in Iowa that compelled you to write this story?
It was really interesting to see the anti-glamorous version of a casino. There was a story in there somewhere that we hadn’t seen on film before.

Q&A with Ron Howard and Raymond Phathanavirangoon

What was it like bringing a production of this size to Thailand?
Ron Howard: That was the big question I was asking of myself, going into the movie. I knew there was a genuine hurdle there.

Q&A with Ridley Scott

You used classic filmmaking techniques, especially in the opening scene. Can you talk about shooting it?
Scott: These storms are absolutely disgustingly filthy, and we had real fifth in the air. You have a real mix of dust.

Q&A with Richard Tanne

What did your writing process entail?
It kind of had the whiff of destiny, from the time I read the book.

Q&A with Reinaldo Marcus Green

Can you talk about the research that you did, and about the consultants that you brought in to make sure you got it right? I was so impressed with how authentic this story was.
Reinaldo Marcus Green: So, I’ll start with the consultants. We had a gentleman by the name of Neville Garrick, who we represent in the film. He had done the album art work, and he also did the lighting for all of the shows.

Q&A with Randall Park, Adrian Tomine, Justin H. Min, and Ally Maki

Randall, what gripped you about this story and these characters?
Randall Park: I first read the graphic novel when it came out back in 2007, and I was just mesmerized by it. A lot of that has to do with Adrian’s writing, but also the style of the art.