Q&A with Bonni Cohen and Jon Shenk

How did you decide what to include and how to show how the puzzle pieces fit together?
That was the main question in the beginning, because it is so overwhelming. It’s likely there are at least 500 survivors of Nassar alone.

Q&A with Baz Luhrmann, Austin Butler, Olivia DeJonge, and Yola

Baz, I read that you were not setting out to make a biopic. Tell us a bit about that approach and how that informed the film we saw today?
I love a good biopic as much as anyone, but they tend to be formulaic… someone is born, then this happens, then that happens

Q&A with Andrea Pallaoro, Trace Lysette, and Patricia Clarkson

I’d love to hear how you developed the script.
Andrea Pallaoro: Well, it’s a film that I had envisioned as part of a much larger exploration on the traumas and the dynamics of what it means to feel abandoned and the consequences of that.

Q&A with Amma Asante and Gugu Mbatha-Raw

Can you each talk about your first impression of the painting that inspired this film?
Mbatha-Raw: I first saw a postcard reproduction of it that I bought in a gift shop.

Q&A with Viggo Mortensen and Vicky Krieps

What was the process of getting in sync with each other? Was there a lot of workshopping or did you wait until the outset to really work out the scenes?
Viggo Mortensen: I don’t think we workshopped anything. When Vicky was doing something that worked really well, I didn’t say much of anything. But when I had a different thought or wanted to try something different, I would say something. But mostly, I thought she always understood the character really well, which was great.

Q&A with Thaddeus O’Sullivan

Period pieces are notoriously cumbersome and expensive to make. Did you find that to be the case?
Thaddeus O’Sullivan: The biggest challenge in this context was really the whole Lourdes issue.

Q&A with Sean Baker and Mikey Madison

Anora is such an intense and ferocious character, but there’s an understated vulnerability. How did you weave that into the performance?
Mikey Madison: I always saw her as someone who was deeply vulnerable on the inside but is constantly protecting herself by covering it up with anger and spunk.

Q&A with Michael Showalter and Cathy Schulman

What made Michael the perfect director for this film?
I’ve been a longtime fan of Michael’s, and as a matter of fact, early on in the process I reached out to him in hopes that he might be able to get involved from the very beginning.

Q&A with Kate Beecroft, Tabatha Zimiga, and Porshia Zimiga

Kate, as a first-time director, you went out looking for a story. How did you discover these women and this story?
We took a wrong turn, found a woman and she said, if you want an amazing story, head east of Wall and you’ll find Tabatha. That’s what I did. And I met these two incredible women along with the rest of the teenagers on the ranch.

Q&A with India Donaldson and Lily Collias

We’d been trying to cast Sam for months. And we were having a really hard time. My younger sister was, at the time, an eighteen-year-old senior in high school. Almost as a joke, I asked her, do you know any actors? Like, help me out here! And that was how I found Lily. I still can’t believe that’s our story.

Q&A with Halina Reijn and Nicole Kidman

A lot of people have talked about the content of this film being edgy and subversive, but it’s actually a pretty sweet story about self-acceptance. Can you talk diving into that idea?
Halina Reijn: For me, that’s core of the film. There was a question that I wanted to ask myself. Is it possible to love all the different parts of yourself?