How did you come up with this idea, and learn about this world?
The original idea came when I was exposed to the world of Weegee, the New York crime photographer.


How did you come up with this idea, and learn about this world?
The original idea came when I was exposed to the world of Weegee, the New York crime photographer.

Mr. Chandor, why did you want to bring this story to the screen?
It was sort of two ideas that ran into each other. There was this core story that I had been working on for many years – probably six or seven years, actually – about a husband and wife who ran a business together.

Can you talk about the collaboration between the two of you in terms of writing, producing, and performing this?
Rafael Casal: Yeah, Diggs, can you?
Daveed Diggs: I mean we’ve been working on this for ten years at this point with our two producing partners the whole time, Jess and Keith Calder.

You’ve been with this project for 18 years. What’s the process been like?
Phyllis Nagy: Until the current team came aboard, there was me and a computer that sat on idle for five years

What compelled you to make this film?
Vanderbilt: I’ve always been fascinated with journalism and I always sort of looked at it as the road not taken.

The way you build tension throughout the film is incredible. How did you approach that?
n a very organic way, it’s a girl against time. Suspense comes naturally from that premise, by using the DNA of the true story.

You did almost all of the work on this film— what was that experience like?
Jessica Kingdon: I did have a close cinematographer, Nathan Truesdell, and we shot it together. But, yeah, it was very much a film that was coming out of my own mind.

Your characters spends a lot of time in an underground room, and doesn’t interact with a wide variety of people. But you still manage to develop a building sense of urgency. Can you talk about that process?
Adam Driver: There is a kind of decorum that comes with being in that kind of space that I really related to. There is a withholding of emotion, because you are there to do a job and not to insert your opinion or to have a feeling that you can express to your higher ups.

I heard you entered the Python Challenge a year before shooting. What did you learn from that experience?
Xander Robin: Thanks for watching the movie! I actually live in South Florida right now. I grew up there, lived in New York for a little bit, but I was trying to make a movie in South Florida.

Congratulations on this incredible film. I want to start with your producer credit. What does that role mean to you?
Celine Song: Being a producer can mean a lot of things. Sometimes it’s financial, but for me, it meant being in the creative trenches—casting, budgeting, locations, all of it.
From outlawed drug to billion-dollar industry, this documentary exposes marijuana’s uneasy evolution—revealing how Black and Afro-Latinx communities still bear the brunt of the War on Drugs. As legalization surges, it asks: will those most harmed finally see justice?
Silvia, a 41-year-old dairy farm worker in upstate New York, has had a difficult life. She doesnt like to have friends to avoid complications and conflicts. But when a new group of workers arrive to work in the farm, she meets Clara(21), a single mom who migrates from México to provide for her baby girl, Fabiana. Clara is assigned to the same bed as Silvia. One will sleep while the other works long shifts. Clara is struggling so much that Silvia ends up getting involved and having a new friend.