you take us to the beginning of this process, when you had bits and fragments of the story?
Shia LaBeouf: I was in an emotional rehab facility. It was court ordered that I go to a mental institution in Connecticut.
Search Results for: Bring Her Back
June 2023
Q&A with Sean Mullin
When did you first start noticing a disconnect between Yogi Berra’s reputation and the player the stats showed him to be?
Sean Mullin: I think that’s what this was all about. When I started doing the research, I was like, wait, this guy was criminally overlooked.
September 2020
Q&A with Sam Feder and Amy Scholder
How did you shape the story of the documentary?
Sam Feder: It’s such a dance, when telling any story.
December 2020
Q&A with Sacha Baron Cohen, Jason Woliner, and Maria Bakalova
Sacha, the original Borat was a tremendous success. Why did it take so long to make a sequel?
Sacha Baron Cohen: Well, we just assumed it was impossible to make.
September 2022
Q&A with Ron Howard and Raymond Phathanavirangoon
What was it like bringing a production of this size to Thailand?
Ron Howard: That was the big question I was asking of myself, going into the movie. I knew there was a genuine hurdle there.
March 2021
Q&A with Regina King, Kingsley Ben-Adir, Eli Goree, Aldis Hodge, and Leslie Odom Jr.
Can you describe the origins of the story as it is portrayed on the screen?
Regina King: I would say that none of us were there that night.
October 2018
Q&A with Quincy Jones and Alan Hicks
We spent three years filming, and we went to twenty five countries with Quincy.
April 2022
Q&A with Pierre Perifel, Luc Desmarchelier and Marc Maron
In a narrative film, a character might have some piece of wardrobe or a prop that helps them inform the character. How did you work together to develop the voice of Snake?
Marc Maron: When we first got there, they showed me the sketches for the character but I think they were still trying to figure out how to get him to move.
March 2021
Q&A with Pete Doctor, Kemp Powers, and Dana Murray
Can you talk about the design of the film and how it’s another evolution for Pixar both in the extremes in realism and surrealism that it achieves?
One of the big joys for me in working in this business is to embrace stuff that is perfect for animation
July 2021
Q&A with Pedro Kos and Shawnee Isaac Smith
The following questions and answers are excerpted from a conversation that followed the NBR screening of Rebel Hearts. How did the project begin and how did you two come together? Shawnee Isaac Smith: I’ll start since it was twenty-one years ago when I met one of the Immaculate Heart sisters and was so inspired by their […]
February 2021
Q&A with Paul Greengrass and Helena Zengel
Can you tell us about the origins of this film?
Paul Greengrass: I think the origins of it lie in the last film I made, actually, 22 July, which was a pretty tough film about violent right-wing extremism in Europe.
April 2014
Q&A with Pat Healy
In Compliance, you were the sadist, the controller. There are very similar themes here but in this case you’re on the other side.
It’s kind of interesting. In Great World of Sound, I almost play a version of the Ann Dowd character from Compliance.
May 2019
Q&A with Olivia Wilde, Katie Silberman, and Jessica Elbaum
Katie, you’ve taken a script that had been around for several years and made it feel brand new. That must be a huge challenge — what was your approach?
Katie Silberman: We talked a lot about what made us love the classic high school movies
July 2021
Q&A with Nicole Riegel
The film is visually stunning. Can you talk about your approach, and how you worked with your collaborators?
Nicole Riegel: I knew the color palette I wanted to use before I began collaborating with my production designer and cinematographer.
November 2020
Q&A with Miranda July
Can you talk about your scriptwriting and research process?
Writing can come with all sorts of weird blocks, so part of it for me is outsmarting those blocks