How did the idea of the script develop from the art piece of the square?
Ruben Östlund: The whole idea of the script developed in 2008. I don’t like to talk about it as an art piece but instead of as a humanistic traffic sign, actually.


How did the idea of the script develop from the art piece of the square?
Ruben Östlund: The whole idea of the script developed in 2008. I don’t like to talk about it as an art piece but instead of as a humanistic traffic sign, actually.

When did you first conceive of this film?
Rian Johnson: The idea for this film came very very early, even when we were still making the first one.

Can you talk about genesis of the film?
Kazuo Ishiguro: I can tell you about the origin story of this film, before the real work started. I can take credit for having the original idea, because it was kind of an obsession of mine for years. It was partly because I was a Japanese kid growing up in England and I was always very interested in any Japanese film that was shown in England.

The following questions and answers are excerpted from a conversation that followed the NBR screening of Roadrunner: A Film About Anthony Bourdain. You chose to make this film fairly soon after Anthony Bourdain’s death. Did your perspective change over the course of shooting? Morgan Neville: Well yes, it changed because there was so much I learned. […]

What was it like working on Pete’s Dragon while writing A Ghost Story?
David Lowery: The script was only thirty pages and I sent it to my producer friends, saying, “let’s make this.”

I heard that your first idea, or one of the first images that you had, was the green screen prologue. Why was that the right way to start the film?
Bertrand Bonello: It’s the first thing I wrote. Because for everyone, or for every audience, green screen is related to the idea of virtuality.