Q&A with Wyck Godfrey, Josh Boone, Shailene Woodley, Laura Dern, Ansel Elgort

This movie is based on a beloved book by John Green. Has he seen the film and how does he feel about it?
Godfrey: He saw it very early on and was involved in the production, and loved it, thank god. But I think he knew all along from the screenplay to the casting that we were putting together a team that loved the book as deeply as its fans and that we were going to pay honor to it in whatever way we could.

Q&A with Toni Collette and Ari Aster

This is something of a personal story, correct?
Ari Aster: The beautiful thing about genre filmmaking and the horror genre in general is that you can take a personal story or feeling that you need to work through and push it through this filter

Q&A with Thea Sharrock and Anjana Vasan

What drew you to the role of Gladys?
Anjana Vasan: My agent sent me the script and said Thea Sharrock wants to meet you, have a read, and Olivia Colman’s attached and before she could finish saying Olivia Colman I went, yes!

Q&A with Ted Braun

What was your original artistic challenge when you were approached with this project? A profile of one person is quite different than your previous work.

Ted Braun: The previous films I’ve done, feature documentaries I’ve done (Betting on Zero, which looked at allegations of global economic criminality, and Darfur Now, which looked at allegations of massive, systemic violent crimes in Sudan) were, in different ways, ensemble stories about people trying to expose wrongdoing.

Q&A with Sean Mullin

When did you first start noticing a disconnect between Yogi Berra’s reputation and the player the stats showed him to be?
Sean Mullin: I think that’s what this was all about. When I started doing the research, I was like, wait, this guy was criminally overlooked.

Q&A with Ryan Fleck, Anna Boden, and Ryan Reynolds

What was it about the riverboat casinos in Iowa that compelled you to write this story?
It was really interesting to see the anti-glamorous version of a casino. There was a story in there somewhere that we hadn’t seen on film before.

Q&A with Ron Howard and Raymond Phathanavirangoon

What was it like bringing a production of this size to Thailand?
Ron Howard: That was the big question I was asking of myself, going into the movie. I knew there was a genuine hurdle there.

Q&A with Ridley Scott

You used classic filmmaking techniques, especially in the opening scene. Can you talk about shooting it?
Scott: These storms are absolutely disgustingly filthy, and we had real fifth in the air. You have a real mix of dust.

Q&A with Ramin Bahrani and Michael Shannon

How did you come to this story, and what was the writing process?
Bahrani: I was interested in this whole world-turned-upside-down issue during the economic crisis. The focus was housing.

Q&A with Radha Blank

How did you balance wearing three hats as the writer, director, and lead actor at the same time?
The two people that were present on the set were the director and the actor.