Q&A with Tomm Moore and Ross Stewart

It is obvious from the first frame that a tremendous amount of work went into this film, even by the high standards of feature animation. Can you discuss the seven year process?
Tomm Moore: The story development went hand in hand with the art development.

Q&A with Thea Sharrock and Anjana Vasan

What drew you to the role of Gladys?
Anjana Vasan: My agent sent me the script and said Thea Sharrock wants to meet you, have a read, and Olivia Colman’s attached and before she could finish saying Olivia Colman I went, yes!

Q&A with Stephen Chbosky, Ben Platt, Julianne Moore, Amy Adams, and Amandla Stenberg

Stephen, you’re no stranger to bringing musicals to the big screen, and you’re no stranger to stories about teenage longing and discontent. How did you get involved in the project?
Stephen Chbosky: I saw the show about three years ago, on Broadway. And I loved it. I didn’t know anything about it when I saw it. And I loved the show.

Q&A with Stephen Basilone

How did your filmmaking process begin?
Stephen Basilone: When I started my career, I had a writing partner for a very long time and we started off writing features.

Q&A with Saoirse Ronan and Greta Gerwig

One of the most priceless moments in the film is when Lady Bird escapes from the car. What was it like putting that scene together?
Greta Gerwig: That scene was such a monster on the page because there are so many emotions.

Q&A with Richard Tanne

What did your writing process entail?
It kind of had the whiff of destiny, from the time I read the book.

Q&A with Randall Park, Adrian Tomine, Justin H. Min, and Ally Maki

Randall, what gripped you about this story and these characters?
Randall Park: I first read the graphic novel when it came out back in 2007, and I was just mesmerized by it. A lot of that has to do with Adrian’s writing, but also the style of the art.

Q&A with Quentin Tarantino, Jennifer Jason Leigh, Walton Goggins, and Kurt Russell

The following questions and answers are excerpted from a conversation that followed the NBR screening of The Hateful Eight.  Where did the idea for this film come from? Quentin Tarantino: It started because while I didn’t really want to write a sequel to Django, I did like the idea of maybe a series of paperback books like […]

Q&A with Paul Schrader and Tiffany Haddish

Can you talk about finding this character, before you brought him to the page?
Paul Schrader: These kinds of stories — I’ve done about a half-dozen of them, stretching all the way back to *Taxi Driver* — usually come about when there’s a metaphor.

Q&A with Olivia Wilde, Katie Silberman, and Jessica Elbaum

Katie, you’ve taken a script that had been around for several years and made it feel brand new. That must be a huge challenge — what was your approach?
Katie Silberman: We talked a lot about what made us love the classic high school movies

Q&A with Laura Dern, Adam Driver, and Noah Baumbach

Can you talk about conceiving this story, and you’re writing process?
Noah Baumbach: It was inherent in the title that we are asking, “Does anyone really know what the story of a marriage is, and if that story has an end of sorts, does it mean it wasn’t a marriage?”

Q&A with Kris Rey and Gillian Jacobs

The following questions and answers are excerpted from a conversation that followed the NBR screening of I Used to Go Here. What was the inspiration for the film? Kris Rey: I found the inspiration for the movie when I was on tour with my last film [Unexpected] four years ago. I got invited to a bunch […]