Sexo Y Tortillas – Directed by Priscilla Alvarez

An American woman flies to a small town in Mexico to visit her estranged auntie. She is a traveling saleswoman. What she sells shocks the culture and vibrates the town, but it also brings women together.

Q&A with Sean Mullin

When did you first start noticing a disconnect between Yogi Berra’s reputation and the player the stats showed him to be?
Sean Mullin: I think that’s what this was all about. When I started doing the research, I was like, wait, this guy was criminally overlooked.

Q&A with Laura Poitras

The following questions and answers are excerpted from a conversation that followed the NBR screening of All the Beauty and the Bloodshed. You really weave so many stories together so beautifully in the film. How did you and Nan weave in and out of each other’s lives? Laura Poitras: Nan and I have intersected, sometimes literally […]

Q&A with Kirsten Johnson

Sometimes as a documentarian, you don’t have total control. But it this film you were able to script things and envision scenarios.
Kirsten Johnson: Honestly I was trying to engage in not being in control.

Q&A with Kelly Reichardt

How did you get from First Cow to this story?
Kelly Reichardt: Well, both films were written with Jonathan Raymond and we started out with this idea of making a film of this little-known Canadian painter, Emily Carr. We wanted to focus on a ten-year period of her life when she was a landlord.

Q&A with Sean Baker and Mikey Madison

Anora is such an intense and ferocious character, but there’s an understated vulnerability. How did you weave that into the performance?
Mikey Madison: I always saw her as someone who was deeply vulnerable on the inside but is constantly protecting herself by covering it up with anger and spunk.

Q&A with Ryan J. Sloane and Ariella Mastroianni

When did you decide to make this project together?
Ariella Mastroianni: Well, Ryan and I, we grew up together. We’ve known each other since high school, and we immediately bonded over films.

Q&A with Giovanni Tortorici

What was it like working with Luca Guadagnino as a producer, and as a mentor? Did you ever have to defend your choices?
No, it was totally the opposite because as a director, he understood all my artistic needs. He protected me from anything that took away from artistic needs.

LIFELINE – Directed by L. Marcus Williams

She is a woman in despair who calls a suicide hotline not for help, but to say goodbye. He is the operator who takes her call, who must do everything he can to keep her on the line. Will he lose her, or will she find the will to live?