Q&A with Ron Howard and Raymond Phathanavirangoon

What was it like bringing a production of this size to Thailand?
Ron Howard: That was the big question I was asking of myself, going into the movie. I knew there was a genuine hurdle there.

Q&A with Pierre Perifel, Luc Desmarchelier and Marc Maron

In a narrative film, a character might have some piece of wardrobe or a prop that helps them inform the character. How did you work together to develop the voice of Snake?
Marc Maron: When we first got there, they showed me the sketches for the character but I think they were still trying to figure out how to get him to move.

Q&A with Michael Barnett, Alex Schmider and Clare Tucker

The following questions and answers are excerpted from a conversation that followed the NBR screening of Changing the Game. Michael, I understand you came to the project when a friend shared that they had a child that was transgender. How important was it to make this film in order to become that much more of an […]

Q&A with Melissa Barrera, Nicholas Britell, and Benjamin Millepied

Did you find it helpful to engage with the previous iterations of the story when you were preparing for this film?
Nicholas Britell: Well, what was interesting, actually, was that when Benjamin first told me that he had this inspiration to to do Carmen, my first instinct was that I actually didn’t want to adapt or rearrange Bizet at all.

Q&A with Kris Rey and Gillian Jacobs

The following questions and answers are excerpted from a conversation that followed the NBR screening of I Used to Go Here. What was the inspiration for the film? Kris Rey: I found the inspiration for the movie when I was on tour with my last film [Unexpected] four years ago. I got invited to a bunch […]

Q&A with Alex Gibney, Betsy Andreu, and Jonathan Vaughters

What was involved in the production of making such a visually and sonically rich film?
At the Tour de France we had a full ten cameras, and we were able to put a camera inside the car, sometimes two, and then at every stop along the way we had three cameras in every car.

Cosmic Waves

An intricate look into the spiritual and musically adept view of Takuya Nakamura, with first-hand access to emotionally moving and intimate performances, including one coupled with an invitation to experience from the comfort of his home.