Q&A with Randall Park, Adrian Tomine, Justin H. Min, and Ally Maki

Randall, what gripped you about this story and these characters?
Randall Park: I first read the graphic novel when it came out back in 2007, and I was just mesmerized by it. A lot of that has to do with Adrian’s writing, but also the style of the art.

Q&A with Morgan Neville

The following questions and answers are excerpted from a conversation that followed the NBR screening of Roadrunner: A Film About Anthony Bourdain. You chose to make this film fairly soon after Anthony Bourdain’s death. Did your perspective change over the course of shooting? Morgan Neville: Well yes, it changed because there was so much I learned. […]

Q&A with Edward Berger

Your DP said that his collaboration with you is one of the most unique he’s had with a director.
Edward Berger: We’re both obsessed with precision and architecture in the film. It’s not haphazard and we don’t try to find the shot on set. It gives me true pleasure to set up a shot and in that shot, have every department create the illusion that this is reality.

Q&A with Kai Höss, Maya Lasker-Wallfisch, Wendy Robbins, and Daniela Völker

Maya, I understand that the seed of the idea for this film originated with you?
Maya Lasker-Wallfisch: Yes: I wrote a book, which was apparently interesting! And one of the things I wrote about in the book were two themes that really interested Daniela. And so Daniela and I were connected through a mutual person that we both knew.

Q&A with Halina Reijn and Nicole Kidman

A lot of people have talked about the content of this film being edgy and subversive, but it’s actually a pretty sweet story about self-acceptance. Can you talk diving into that idea?
Halina Reijn: For me, that’s core of the film. There was a question that I wanted to ask myself. Is it possible to love all the different parts of yourself?

Q&A with Emerald Fennell

I love what you said about how the book never judges its characters, despite their actions. How did that inform you as you began to adapt the book?
Emerald Fennell: I think everyone in this book is kind of deeply troubling. That’s what makes it such a masterpiece, you know? The sum of its parts and the sum of their parts are so much more.