UMAMA

One day Sibongile, a domestic worker in South Africa, wakes to find her son missing. This story is about that day and the real relationships that inspired the film.

Troublemaker

On a hot day in eastern Nigeria, a young boy learns that actions have consequences. Troublemaker is a coming-of-age story about masculinity, violence, and the effects of war on community and across generations.

Q&A with Wyatt Rockefeller

It felt like there were unexpected and interesting story turns at every corner. What sparked this idea for you?

Wyatt Rockefeller: The spark for the idea came, really, from a feeling. I was in the woods with my Dad, and it was snowing.

Q&A with Sean Mullin

When did you first start noticing a disconnect between Yogi Berra’s reputation and the player the stats showed him to be?
Sean Mullin: I think that’s what this was all about. When I started doing the research, I was like, wait, this guy was criminally overlooked.

Q&A with Oliver Hermanus, Kazuo Ishiguro, and Bill Nighy

Can you talk about genesis of the film?
Kazuo Ishiguro: I can tell you about the origin story of this film, before the real work started. I can take credit for having the original idea, because it was kind of an obsession of mine for years. It was partly because I was a Japanese kid growing up in England and I was always very interested in any Japanese film that was shown in England.

Q&A with Oliver Hermanus

What was your experience working with the author of the memoir on which the film is based?
Oliver Hermanus: The first thing I did, when I was certain I would tackle it, was I met with [author Andre Carl van der Merwe] a few times.

Q&A with Fran Kranz, Reed Birney, Ann Dowd, and Jason Isaacs

You did almost all of the work on this film— what was that experience like?
Jessica Kingdon: I did have a close cinematographer, Nathan Truesdell, and we shot it together. But, yeah, it was very much a film that was coming out of my own mind.

Q&A with Embeth Davidtz

Congratulations on this powerful and sensitive film. When did Alexandra Fuller’s book first come to your attention, and what made you want to adapt it and take on so many roles?
Embeth Davitz: I read the book when it came out in 2003, and it just stayed with me.

Punter

Young Brett must navigate the underbelly of the Johannesburg gambling world as a seemingly harmless horse-racing bet jeopardizes the surprise he’s prepared for his father’s birthday.

Ons Albertinia – Directed by Chantel Clark

South Africa, 1990. When the crumbling Apartheid regime affords Marie Abrahams an opportunity to sell the family farm, her daughter Inge fights to keep their ancestral land.

Facing North – Directed by Tukei Muhumuza

Almost all the men in the village have left for greener pastures in Europe. A bride is torn between two possible futures. Through the support of her maid of honour, she navigates her past love and pending commitment.