Can you talk about that decision, and how you thought about the various meta elements of the project?
Theo Anthony: That idea of accounting for the act of observation in observing is something that I’ve always been drawn to, as a big science nerd!
Search Results for: One Battle After Another
September 2020
Q&A with Richard Tanne
What did your writing process entail?
It kind of had the whiff of destiny, from the time I read the book.
June 2018
Q&A with Morgan Neville
The letter’s from a five year old boy and it says, “Dear Mr. Rogers, are you for real? Are you for real or not?”
December 2015
Q&A with Michael Fassbender
When an actor does Macbeth on stage, they get to experience the character straight through. How was it playing it in a film?
It’s just a normal thing, really. It’s such a rare opportunity to do something in chronological order when filming; it just never really happens.
March 2023
Q&A with Edward Berger
Your DP said that his collaboration with you is one of the most unique he’s had with a director.
Edward Berger: We’re both obsessed with precision and architecture in the film. It’s not haphazard and we don’t try to find the shot on set. It gives me true pleasure to set up a shot and in that shot, have every department create the illusion that this is reality.
September 2013
Q&A with director Shane Salerno
Let’s start by talking about the unique backstory to making this film.
Salerno: I grew up in a house where Salinger was a church. My mom was a huge fan and turned me onto his work, but like everyone, I had no idea about the man, I just knew the work. I started researching this project and found out that J.D. Salinger landed on D-Day, that Salinger participated in these horrible battles, that he lost the love of his life, Oona O’Neill, to Charlie Chaplin.
August 2013
Q&A with Benedict Cumberbatch, Zachary Quinto, and Chris Pine
Why do audiences love Kirk and Spock so much? What gives their relationship such dynamism?
Pine: I think the Enterprise represents, psychologically speaking, parts of one person. I always think of the triumvirate of McCoy, Kirk and Spock as representing parts of a single human being.
July 2022
Q&A with Andrew Semans
What goes into fully developing characters like Margaret and David?
Andrew Semans: I don’t have any brilliant insights into that, I don’t think. I think it’s just a matter of building up characters bit by bit, little by little, stealing from anybody you know, or any experiences you’ve had that seem to be relevant, and of course stealing from other films and other stories!
September 2025
Q&A with Spike Lee
Your relationship with Akira Kurosawa dates back to the beginning of your career. Can you share how you first encountered Kurosawa’s work and what drew you to reimagine it?
Spike Lee: People always assume that this film is a remake of Kurosawa’s High and Low, but it actually began with Ed McBain’s novel King’s Ransom.
July 2025
Q&A with Embeth Davidtz
Congratulations on this powerful and sensitive film. When did Alexandra Fuller’s book first come to your attention, and what made you want to adapt it and take on so many roles?
Embeth Davitz: I read the book when it came out in 2003, and it just stayed with me.
December 2025
NATIONAL BOARD OF REVIEW NAMES 2025 HONOREES
New York, NY (December 4, 2024) – The National Board of Review (NBR) announced today their 2024 honorees
June 2018
Grandma’s Pie – Directed by Camilo Castro and Ricardo San Emeterio
A hungry dragon chases after an oblivious grandma that is too focused on making her favorite apple pie to notice the death and destruction going on around her.
