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– New York, NY – 1/6/15 -The National Board of Review Gala Honoring 2014 Winners. The National Board of Review Honors diverse members of the film community at their annual awards gala, which is a fundraiser for student grant philanthropy.

-PICTURED: Will Arnett
-PHOTO by:Marion Curtis/Starpix
-Filename: MC_15_991112.JPG
-Location: Cipriani 42nd Street

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Will Arnett

September 2020

THE NATIONAL BOARD OF REVIEW TO ANNOUNCE HONOREES TUESDAY, JANUARY 26TH

New York, NY (September 9, 2020) – The National Board of Review announced today that it will reveal its 2020 honorees on Tuesday, January 26, 2021. Films will be eligible if screened by the NBR and released either theatrically or digitally on or before February 28, 2021. If a movie’s release is digital, it must […]

June 2014

Q&A with Wyck Godfrey, Josh Boone, Shailene Woodley, Laura Dern, Ansel Elgort

This movie is based on a beloved book by John Green. Has he seen the film and how does he feel about it?
Godfrey: He saw it very early on and was involved in the production, and loved it, thank god. But I think he knew all along from the screenplay to the casting that we were putting together a team that loved the book as deeply as its fans and that we were going to pay honor to it in whatever way we could.

July 2021

Q&A with Wyatt Rockefeller

It felt like there were unexpected and interesting story turns at every corner. What sparked this idea for you?

Wyatt Rockefeller: The spark for the idea came, really, from a feeling. I was in the woods with my Dad, and it was snowing.

March 2014

Q&A with Wes Anderson, Ralph Fiennes, Tony Revolori

Talk about the inspiration for this piece.
Anderson: There’s this writer Stefan Zweig, who I had never heard of up until six or seven years ago. I read “Beware of Pity” – which I loved – and I thought about trying to adapt this book. But then I read more of his fiction and I kind of liked many of the pieces, and then his memoir, “The World of Yesterday,” ended up inspiring the whole setting of the movie. So I ultimately decided to do something Zweig-like, instead of adapting only one of them.

June 2018

Q&A with Toni Collette and Ari Aster

This is something of a personal story, correct?
Ari Aster: The beautiful thing about genre filmmaking and the horror genre in general is that you can take a personal story or feeling that you need to work through and push it through this filter

November 2020

Q&A with Tomm Moore and Ross Stewart

It is obvious from the first frame that a tremendous amount of work went into this film, even by the high standards of feature animation. Can you discuss the seven year process?
Tomm Moore: The story development went hand in hand with the art development.

August 2021

Q&A with Ting Poo and Leo Scott

How did this project manifest?
Leo Scott: I was editing a half hour comedy where Val Kilmer was playing himself as a motivational speaker in this sort of parallel universe. It was such a great performance, so bonkers and I wanted to tell him that.

April 2024

Q&A with Thea Sharrock and Anjana Vasan

What drew you to the role of Gladys?
Anjana Vasan: My agent sent me the script and said Thea Sharrock wants to meet you, have a read, and Olivia Colman’s attached and before she could finish saying Olivia Colman I went, yes!

January 2016

Q&A with Steve Carell and Adam McKay

What drew you to this story?
Adam McKay: We had done a movie with Will Ferrell and Mark Wahlberg called The Other Guys, and the goal of that movie was to do a comedic parable of the collapse.

September 2021

Q&A with Stephen Chbosky, Ben Platt, Julianne Moore, Amy Adams, and Amandla Stenberg

Stephen, you’re no stranger to bringing musicals to the big screen, and you’re no stranger to stories about teenage longing and discontent. How did you get involved in the project?
Stephen Chbosky: I saw the show about three years ago, on Broadway. And I loved it. I didn’t know anything about it when I saw it. And I loved the show.