Q&A with Ted Braun

What was your original artistic challenge when you were approached with this project? A profile of one person is quite different than your previous work.

Ted Braun: The previous films I’ve done, feature documentaries I’ve done (Betting on Zero, which looked at allegations of global economic criminality, and Darfur Now, which looked at allegations of massive, systemic violent crimes in Sudan) were, in different ways, ensemble stories about people trying to expose wrongdoing.

Q&A with Steve Coogan, Sophie Kennedy Clark, and Philomena Lee

How did you come across the book and what compelled you to champion this project?
Coogan: I was in New York making a film. And because my career’s been in comedy—I’ve written a lot of television comedy— I wanted to find something more substantial, that had more substance.

Q&A with Kristy Guevara-Flanagan and Helen Hood Scheer

How did you two come to work on this project together?
We started working on what we thought would be a triptych, looking at sex, birth, and death on screen from a women’s perspective. We started the one about sex and it was an avalanche of ideas and people and different actors that we wanted to speak with, and that’s really where it began.

Q&A with Amy Seimetz, Kate Lyn Sheil and Jane Adams

The following questions and answers are excerpted from a conversation that followed the NBR screening of She Dies Tomorrow. Can you talk about the origin of this project? Amy Seimetz: I was dealing with a lot of anxiety and I realized that to alleviate the anxiety I was talking to my friends – namely Kate Lyn […]

Q&A with Laura Piani and Camille Rutherford

Laura, let’s start with the title. I had to laugh—Jane Austen doesn’t wreck anyone’s life… or does she?
Laura Piani: It all started years ago, when I worked night shifts at Shakespeare and Company in Paris.

Q&A with Jane Shoenbrun and Brigette Lundy-Paine

Speaking of actually having a greater scale and a greater budget, what was the coolest special effect that you got to deploy in this film?
JS: I mean, I loved making the monsters. From the very beginning, I remember thinking, for the next film? Let’s go monsters.

NATIONAL BOARD OF REVIEW ANNOUNCES 2017 AWARD WINNERS

THE NATIONAL BOARD OF REVIEW NAMES THEIR 2017 HONOREES INCLUDING THE POST FOR BEST FILM OF THE YEAR & GRETA GERWIG FOR BEST DIRECTOR OF THE YEAR The Organization’s Gala will be held on Tuesday, January 9, 2018 in New York City New York, NY (November 28, 2017) – The National Board of Review today […]