Tail End Of The Year – Directed by Chieh Yang

On Chinese New Year Eve, ten-year-old Yang Lan is anxiously waiting for her singer mother to come home. While the big family is celebrating loudly with Mahjong, fireworks, dinner, and laughs, she struggles to reconcile her urge to feel, at least for a brief moment, loved.

Q&A with Trey Edward Shults

Can you describe your writing process for this film?
Trey Edward Shults: It started when I wrote this in 2014, and it comes from a personal place of having a rough relationship with my biological father who suffered with addiction.

Q&A with Steve Coogan, Sophie Kennedy Clark, and Philomena Lee

How did you come across the book and what compelled you to champion this project?
Coogan: I was in New York making a film. And because my career’s been in comedy—I’ve written a lot of television comedy— I wanted to find something more substantial, that had more substance.

Q&A With Spike Lee

Can you talk about working with your cast?
You have to have great actors. You have to cast great people to get great performances.

Q&A with Quoc Bao Tran and Yuji Okumoto

The following questions and answers are excerpted from a conversation that followed the NBR screening of The Paper Tigers. This film is a heartfelt look at the Kung Fu genre as well as a story about growing up and fatherhood in various forms. What was the catalyst for the story? Bao Tran: I survived a death […]

Q&A with Pat Healy

In Compliance, you were the sadist, the controller. There are very similar themes here but in this case you’re on the other side.
It’s kind of interesting. In Great World of Sound, I almost play a version of the Ann Dowd character from Compliance.

Q&A with Pascual Sisto

Can you discuss the way the film begins, and ends, with a family dinner scene?

Pascual Sisto: I think they are two very important scenes, but I will first say that, as a point of interest, they were shot on the same day because of practical reasons.

Q&A with Pamela Romanowsky

How did you get involved with this project?
I came to this book as a casual reader. I got it from the same bookstore you see James [Franco] signing books in at the start of the movie.

Q&A with Oliver Hermanus, Kazuo Ishiguro, and Bill Nighy

Can you talk about genesis of the film?
Kazuo Ishiguro: I can tell you about the origin story of this film, before the real work started. I can take credit for having the original idea, because it was kind of an obsession of mine for years. It was partly because I was a Japanese kid growing up in England and I was always very interested in any Japanese film that was shown in England.