The different reactions of each character to a horrible situation seem remarkably realistic: No one knows quite what to do, but they all feel they have to do something.
Jackman: One thing I think Denis is really drawn to is the moral ambiguity – the gray areas – of characters and life. And I think that’s what really attracted us both to this material.
The film has gorgeous cinematography and a beautiful score rooted in classical music. Can you talk about conceiving the look and sound of the film?
Barry Jenkins: When you grow up in a certain kind of place, you contextualize it. So to me, Miami is this very beautiful place.
The following questions and answers are excerpted from a conversation that followed the NBR screening of She Dies Tomorrow. Can you talk about the origin of this project? Amy Seimetz: I was dealing with a lot of anxiety and I realized that to alleviate the anxiety I was talking to my friends – namely Kate Lyn […]
What made Michael the perfect director for this film?
I’ve been a longtime fan of Michael’s, and as a matter of fact, early on in the process I reached out to him in hopes that he might be able to get involved from the very beginning.