Running Condition – Directed by Jeff Huston

An obscure birth defect left Julian’s eyes highly sensitive to light. Consumed with a fear of the outside world, he receded into the shadows. When he hires Katherine, a short-term assistant, an unexpected friendship blossoms. But his carefully constructed world begins to destabilize when his feelings for her intensify.

Q&A with Tomm Moore and Ross Stewart

It is obvious from the first frame that a tremendous amount of work went into this film, even by the high standards of feature animation. Can you discuss the seven year process?
Tomm Moore: The story development went hand in hand with the art development.

Q&A with Ting Poo and Leo Scott

How did this project manifest?
Leo Scott: I was editing a half hour comedy where Val Kilmer was playing himself as a motivational speaker in this sort of parallel universe. It was such a great performance, so bonkers and I wanted to tell him that.

Q&A with JR and Agnès Varda

Ms. Varda, you say very early in your film that “chance” is your assistant. JR, would you say that you agree with that philosophy?
JR: Yes, definitely and that’s why we got along well.

Q&A with Jonas Poher Rasmussen

The following questions and answers are excerpted from a conversation that followed the NBR screening of Flee. How long have you known Amin? What was it like to hear the truth about his background? Jonas Poher Rasmussen: I’ve known him for twenty-five years. I grew up in this very small village in Denmark, with like 400 […]

Q&A with Joey Kuhn and Kimberly Parker

Can you talk about some of the sources of inspiration for this film?
Joey Kuhn: I’ll start with the emotional inspiration for the film: In college, I accidentally fell in love with my gay best friend, and was afraid to tell him for years.

Q&A with James Mangold and Jenno Topping

Can you talk about what it was like to craft these characters?
James Mangold: I’m a big believer in hanging out. I am not a big believer in rehearsing.

Q&A with Fran Kranz, Reed Birney, Ann Dowd, and Jason Isaacs

You did almost all of the work on this film— what was that experience like?
Jessica Kingdon: I did have a close cinematographer, Nathan Truesdell, and we shot it together. But, yeah, it was very much a film that was coming out of my own mind.

Q&A with Emma Seligman and Rachel Sennott

Emma, what was your inspiration for the film?
I feel like a lot of film students heading into their senior year want to go out with a bang, like a huge dystopian sci-fi film or a period piece, and I was one of those kids.

Q&A with Emerald Fennell and Carey Mulligan

How did the idea for script originate?
Emerald Fennell: I had a few friends over for dinner and something uncomfortable had happened to one of the girls at the table on the tube on her way over.

Q&A with Bob Odenkirk, Meryl Streep, and Tom Hanks

What was the process of making this film?
Meryl Streep: It came together very quickly because Steven Spielberg was making another film with everything ready to go in Italy, except the lead wasn’t cast yet.