What drew you to the role of Gladys?
Anjana Vasan: My agent sent me the script and said Thea Sharrock wants to meet you, have a read, and Olivia Colman’s attached and before she could finish saying Olivia Colman I went, yes!


What drew you to the role of Gladys?
Anjana Vasan: My agent sent me the script and said Thea Sharrock wants to meet you, have a read, and Olivia Colman’s attached and before she could finish saying Olivia Colman I went, yes!

How did you find this story?
David Lowery: It was a true story about this guy whose life was too good to be true in terms of a narrative.

Can you talk about writing this film and bringing these characters to life?
Rian Johnson: It all started with me loving Agatha Christie growing up.

Mr. Sachs, can you tell us about developing the story?
Sachs: This is my fifth feature, and all of my films – while not strictly autobiographical – are very personal to me, and connected to my own life on some level.

What was the genesis of this film?
Paul Schrader: The process began about three years ago when I was giving an award for Pawel Pawlikowski, for his film Ida at the New York Society of Film Critics.

What was your initial reaction to the script?
Elijah Wood: I came into the script about five years ago, at a film festival in Austin, Texas, called Fantastic Fest.

Period pieces are notoriously cumbersome and expensive to make. Did you find that to be the case?
Thaddeus O’Sullivan: The biggest challenge in this context was really the whole Lourdes issue.