Can you talk about making the transition from athletics to a visual and creative artist?
Savanah Leaf: In a way, I think a film is this combination of working in a team environment.


Can you talk about making the transition from athletics to a visual and creative artist?
Savanah Leaf: In a way, I think a film is this combination of working in a team environment.

Can you describe your approach to adapting the novel, and to making the story so cinematic?
Sarah Polley: I think I always thought of the story as somewhat of an epic.

Would you have made the film any other way, looking back?
Having been in this industry for a long time, trying to get movies made is very challenging under any circumstances.

Josephine, can you speak a bit about that rehearsal process?
When I was going into it, I thought we needed three weeks of rehearsal. Of course, we had like a day and a half!

This is a very adult film about children and childhood. What were your inspirations for the story?
Eskil Vogt: I think I never would have made this movie if I hadn’t become a parent.

How did the idea for script originate?
Emerald Fennell: I had a few friends over for dinner and something uncomfortable had happened to one of the girls at the table on the tube on her way over.

This is not a typical biopic in that you mainly focus on the darkest period of his life. Why did you choose that window?
Don Cheadle: He just shut down his music for five years. I thought, what’s happening there?

How did you end up bringing it to the screen?
Daniel Pearle: Jim Parsons read the play and he had just started his company, That’s Wonderful.

This film was created with something of a new genre in mind: the “IMAX music experience.” Can you talk about that decision?
Brett Morgen: I have been doing biographical documentaries for the past twenty years. And when I finished Montage of Heck, I just… kind of feel like, for music documentaries… I love these speakers [gesturing around the theater]. I don’t think facts need to be delivered through these speakers!

Can you talk about the decision to set the film in 2013, and why that specific year was the right choice for this story?
Austin Peters: If you think about where we, as a country, were at in 2013… It was such a different time.

New York, NY (December 8, 2022) – The National Board of Review announced today their 2022 honorees