Q&A with Wyatt Rockefeller

It felt like there were unexpected and interesting story turns at every corner. What sparked this idea for you?

Wyatt Rockefeller: The spark for the idea came, really, from a feeling. I was in the woods with my Dad, and it was snowing.

Q&A with Toni Collette and Ari Aster

This is something of a personal story, correct?
Ari Aster: The beautiful thing about genre filmmaking and the horror genre in general is that you can take a personal story or feeling that you need to work through and push it through this filter

Q&A With Spike Lee

Can you talk about working with your cast?
You have to have great actors. You have to cast great people to get great performances.

Q&A with Ron Howard and Raymond Phathanavirangoon

What was it like bringing a production of this size to Thailand?
Ron Howard: That was the big question I was asking of myself, going into the movie. I knew there was a genuine hurdle there.

Q&A with Richard Tanne

What did your writing process entail?
It kind of had the whiff of destiny, from the time I read the book.

Q&A with Reinaldo Marcus Green

Can you talk about the research that you did, and about the consultants that you brought in to make sure you got it right? I was so impressed with how authentic this story was.
Reinaldo Marcus Green: So, I’ll start with the consultants. We had a gentleman by the name of Neville Garrick, who we represent in the film. He had done the album art work, and he also did the lighting for all of the shows.

Q&A with Randall Park, Adrian Tomine, Justin H. Min, and Ally Maki

Randall, what gripped you about this story and these characters?
Randall Park: I first read the graphic novel when it came out back in 2007, and I was just mesmerized by it. A lot of that has to do with Adrian’s writing, but also the style of the art.

Q&A with Paul Schrader and Tiffany Haddish

Can you talk about finding this character, before you brought him to the page?
Paul Schrader: These kinds of stories — I’ve done about a half-dozen of them, stretching all the way back to *Taxi Driver* — usually come about when there’s a metaphor.

Q&A with Pamela Romanowsky

How did you get involved with this project?
I came to this book as a casual reader. I got it from the same bookstore you see James [Franco] signing books in at the start of the movie.

Q&A with Noah Baumbach and Greta Gerwig

How did you develop the wonderful physicality of Greta’s character Brooke? She emotes with her entire body.
Well first, Greta was born. And grew up into that person.

Q&A with Nicole Riegel

The film is visually stunning. Can you talk about your approach, and how you worked with your collaborators?

Nicole Riegel: I knew the color palette I wanted to use before I began collaborating with my production designer and cinematographer.