The Wishing Cranes is about Yuki and Sho, two orphan siblings living in Japan in the 1960s. Sho is a responsible brother and a hardworking paper boy, Yuki, his younger sister simply wishes she could spend more time as a family.
Search Results for: Bring Her Back
September 2020
THE NATIONAL BOARD OF REVIEW TO ANNOUNCE HONOREES TUESDAY, JANUARY 26TH
New York, NY (September 9, 2020) – The National Board of Review announced today that it will reveal its 2020 honorees on Tuesday, January 26, 2021. Films will be eligible if screened by the NBR and released either theatrically or digitally on or before February 28, 2021. If a movie’s release is digital, it must […]
July 2015
The Funeral Singer – Directed by Thanh Hoang
For the past 25 years, Mr Bay has been hired to compose sad melodies for the departed. As a father of 7 daughters, the dedicated musician has no hope to have a son to hand down the family’s career, and to sing for his own death. The film is set in an ancient village of Northern Vietnam where the traditional principles of the family survive with the changing times.
June 2014
Q&A with Wyck Godfrey, Josh Boone, Shailene Woodley, Laura Dern, Ansel Elgort
This movie is based on a beloved book by John Green. Has he seen the film and how does he feel about it?
Godfrey: He saw it very early on and was involved in the production, and loved it, thank god. But I think he knew all along from the screenplay to the casting that we were putting together a team that loved the book as deeply as its fans and that we were going to pay honor to it in whatever way we could.
August 2013
Q&A with Writer/Director Ryan Coogler, Michael B. Jordan, Octavia Spencer, and Melonie Diaz
You all shot for a few nights on the actual BART platform where this tragedy took place. Can you talk about that experience?
Diaz: It was one of the most intense things. You can still feel the ghosts there, the presence of the pain and violence and fear and everything that went down that night. That day was special. We started off with a prayer. It was powerful.
March 2014
Q&A with Wes Anderson, Ralph Fiennes, Tony Revolori
Talk about the inspiration for this piece.
Anderson: There’s this writer Stefan Zweig, who I had never heard of up until six or seven years ago. I read “Beware of Pity” – which I loved – and I thought about trying to adapt this book. But then I read more of his fiction and I kind of liked many of the pieces, and then his memoir, “The World of Yesterday,” ended up inspiring the whole setting of the movie. So I ultimately decided to do something Zweig-like, instead of adapting only one of them.
January 2023
Q&A with Tony Kusher, Michelle Williams, Paul Dano, and Gabriel LaBelle
Can you talk about the origins of this project?
Tony Kushner: Steven told me the story that’s the core of the movie on the first day of filming Munich, in 2005, in Malta.
November 2020
Q&A with Tomm Moore and Ross Stewart
It is obvious from the first frame that a tremendous amount of work went into this film, even by the high standards of feature animation. Can you discuss the seven year process?
Tomm Moore: The story development went hand in hand with the art development.
May 2015
Q&A with Thomas Vinterberg, Michael Sheen, David Nicholls, Matthias Schoenaerts, and Carey Mulligan
What made the story right for a modern day interpretation?
Nicholls: I think if you pitch the story – an independent woman has to choose between three different contrasting men while maintaining her independence – I think that would feel very modern and contemporary.
December 2013
Q&A with Thelma Schoonmaker, Terence Winter, and Leonardo DiCaprio
What was the process of you discovering the source material and trying to get it produced?
DeCaprio: As soon as I read the novel I thought, “This is like a modern day Caligula.”
April 2024
Q&A with Thea Sharrock and Anjana Vasan
What drew you to the role of Gladys?
Anjana Vasan: My agent sent me the script and said Thea Sharrock wants to meet you, have a read, and Olivia Colman’s attached and before she could finish saying Olivia Colman I went, yes!
April 2022
Q&A with Ted Braun
What was your original artistic challenge when you were approached with this project? A profile of one person is quite different than your previous work.
Ted Braun: The previous films I’ve done, feature documentaries I’ve done (Betting on Zero, which looked at allegations of global economic criminality, and Darfur Now, which looked at allegations of massive, systemic violent crimes in Sudan) were, in different ways, ensemble stories about people trying to expose wrongdoing.
September 2021
Q&A with Stephen Chbosky, Ben Platt, Julianne Moore, Amy Adams, and Amandla Stenberg
Stephen, you’re no stranger to bringing musicals to the big screen, and you’re no stranger to stories about teenage longing and discontent. How did you get involved in the project?
Stephen Chbosky: I saw the show about three years ago, on Broadway. And I loved it. I didn’t know anything about it when I saw it. And I loved the show.
July 2016
Q&A with Simon Pegg and Karl Urban
For a summer blockbuster, this film has some really nice, quiet character moments.
I don’t think you can watch a film that is full of explosions and care about it if you don’t have some care about the people that it is happening to.
February 2022
Q&A with Sian Heder, Marlee Matlin, Troy Kotsur, and Daniel Durant
What drew you to this material and inspired you to direct the film?
Sian Heder: I came to this because it was originally a studio film, and Lionsgate was looking to do a remake of La famille Bélier, a French film that came out in 2014.