Can you talk about the origins of this project?
Tony Kushner: Steven told me the story that’s the core of the movie on the first day of filming Munich, in 2005, in Malta.


Can you talk about the origins of this project?
Tony Kushner: Steven told me the story that’s the core of the movie on the first day of filming Munich, in 2005, in Malta.

Were you the one who conceived of this tour in the first place?
Tim Seelig: We were coming out of the 40th anniversary of the gay men’s chorus. San Fransisco Gay Men’s Chorus birthed the movement.

How did you come across the book and what compelled you to champion this project?
Coogan: I was in New York making a film. And because my career’s been in comedy—I’ve written a lot of television comedy— I wanted to find something more substantial, that had more substance.

Can you talk about the germination of this idea, for you?
Jeymes Samuel: The film has been in my head since I was a kid.

Can you talk about working with your cast?
You have to have great actors. You have to cast great people to get great performances.

What were your first thoughts, after reading the script?
Simon Rex: I was just like… whoa. Whoa. WHOA!

Can you discuss the process of adapting the book for the screen?
James Gray: The book is a meticulously researched thing. Immediately you realize that you’re in for it if you change something factually and of course I had to, because it’s a movie.

What drew you to this material and inspired you to direct the film?
Sian Heder: I came to this because it was originally a studio film, and Lionsgate was looking to do a remake of La famille Bélier, a French film that came out in 2014.

When did you first start noticing a disconnect between Yogi Berra’s reputation and the player the stats showed him to be?
Sean Mullin: I think that’s what this was all about. When I started doing the research, I was like, wait, this guy was criminally overlooked.

Can you talk about making the transition from athletics to a visual and creative artist?
Savanah Leaf: In a way, I think a film is this combination of working in a team environment.

Sacha, the original Borat was a tremendous success. Why did it take so long to make a sequel?
Sacha Baron Cohen: Well, we just assumed it was impossible to make.

How did you come to this story, and what was the writing process?
Bahrani: I was interested in this whole world-turned-upside-down issue during the economic crisis. The focus was housing.

Can you discuss the way the film begins, and ends, with a family dinner scene?
Pascual Sisto: I think they are two very important scenes, but I will first say that, as a point of interest, they were shot on the same day because of practical reasons.

How did you two work together on the big dramatic scenes?
Those scenes were difficult, they’re really emotional.

What was your experience working with the author of the memoir on which the film is based?
Oliver Hermanus: The first thing I did, when I was certain I would tackle it, was I met with [author Andre Carl van der Merwe] a few times.