Q&A with Simon Pegg and Karl Urban

For a summer blockbuster, this film has some really nice, quiet character moments.
I don’t think you can watch a film that is full of explosions and care about it if you don’t have some care about the people that it is happening to.

Q&A with Oliver Hermanus

What was your experience working with the author of the memoir on which the film is based?
Oliver Hermanus: The first thing I did, when I was certain I would tackle it, was I met with [author Andre Carl van der Merwe] a few times.

Q&A with Michael Sarnoski and Vanessa Block

Do you think Nicolas Cage’s casting creates an expectation with the film? And if so, did you intentionally subvert those expectations in any way?
I think it does create an expectation. Certainly, people have certain types of films that they associate with Nic Cage. But we never set out to subvert anything

Q&A with John Krasinski

How did you get on this project? How did it come to you?
John Krasinski: So I was about to start pre-production on Jack Ryan, and some of the producers on Jack Ryan were Platinum Dunes, and they said, “Would you ever act in a genre movie?” And I said, “Oh no, I can’t do that, I don’t do horror movies.”

Q&A with Eliza Hittman, Sidney Flanigan and Talia Ryder

Eliza, when did you first start to think about making this remarkable film?
Eliza Hittman: I first began thinking about this film in 2012. I read a newspaper article that was all about the death of Savita Halappanavar, this woman in Ireland who died after being denied a life-saving abortion.

Q&A with Andrea Pallaoro, Trace Lysette, and Patricia Clarkson

I’d love to hear how you developed the script.
Andrea Pallaoro: Well, it’s a film that I had envisioned as part of a much larger exploration on the traumas and the dynamics of what it means to feel abandoned and the consequences of that.

Q&A with Alex Gibney, Betsy Andreu, and Jonathan Vaughters

What was involved in the production of making such a visually and sonically rich film?
At the Tour de France we had a full ten cameras, and we were able to put a camera inside the car, sometimes two, and then at every stop along the way we had three cameras in every car.

Q&A with India Donaldson and Lily Collias

We’d been trying to cast Sam for months. And we were having a really hard time. My younger sister was, at the time, an eighteen-year-old senior in high school. Almost as a joke, I asked her, do you know any actors? Like, help me out here! And that was how I found Lily. I still can’t believe that’s our story.

Q&A with Anna Boden, Ryan Fleck, and Jay Ellis

This is a movie that shows real love for the Bay Area. Where did the story come from?
Ryan Fleck: Well, it starts with that Too $hort song, this really nasty song called Freaky Tales that I heard way too young, maybe nine or ten. I grew up with hippie parents. We had Beatles records and Janis Joplin and then my friends played me Freaky Tales and I was like, What is going on?!